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Military's Information War Is Vast and Often Secretive

By JEFF GERTH

Published: December 11, 2005

Joao Silva for The New York Times
Bundles of newspapers await readers at a Baghdad newsstand.
Iraqi readers expressed surprise some articles were written in the United States.


K
he center is not part of a news organization, but a military operation, and those writers and producers are soldiers.   The 1,200-strong psychological operations unit based at Fort Bragg turns out what its officers call "truthful messages" to support the United States government's objectives, though its commander acknowledges that those stories are one-sided and their American sponsorship is hidden.

"We call our stuff information and the enemy's propaganda," said Col. Jack N. Summe, then the commander of the Fourth Psychological Operations Group, during a tour in June.   Even in the Pentagon, "some public affairs professionals see us unfavorably," and inaccurately, he said, as "lying, dirty tricksters."

The recent disclosures that a Pentagon contractor in Iraq paid newspapers to print "good news" articles written by American soldiers prompted an outcry in Washington, where members of Congress said the practice undermined American credibility and top military and White House officials disavowed any knowledge of it.   President Bush was described by Stephen J. Hadley, his national security adviser, as "very troubled" about the matter.   The Pentagon is investigating.

But the work of the contractor, the Lincoln Group, was not a rogue operation.   Hoping to counter anti-American sentiment in the Muslim world, the Bush administration has been conducting an information war that is extensive, costly and often hidden, according to documents and interviews with contractors, government officials and military personnel.

The campaign was begun by the White House, which set up a secret panel soon after the Sept. 11 attacks to coordinate information operations by the Pentagon, other government agencies and private contractors.

In Iraq and Afghanistan, the focus of most of the activities, the military operates radio stations and newspapers, but does not disclose their American ties.   Those outlets produce news material that is at times attributed to the "International Information Center," an untraceable organization.

Lincoln says it planted more than 1,000 articles in the Iraqi and Arab press and placed editorials on an Iraqi Web site, Pentagon documents show.   For an expanded stealth persuasion effort into neighboring countries, Lincoln presented plans, since rejected, for an underground newspaper, television news shows and an anti-terrorist comedy based on "The Three Stooges."

Like the Lincoln Group, Army psychological operations units sometimes pay to deliver their message, offering television stations money to run unattributed segments or contracting with writers of newspaper opinion pieces, military officials said.

"We don't want somebody to look at the product and see the U.S. government and tune out," said Col. James Treadwell, who ran psychological operations support at the Special Operations Command in Tampa.

The United States Agency for International Development also masks its role at times.   AID finances about 30 radio stations in Afghanistan, but keeps that from listeners.   The agency has distributed tens of thousands of iPod-like audio devices in Iraq and Afghanistan that play prepackaged civic messages, but it does so through a contractor that promises "there is no U.S. footprint."

As the Bush administration tries to build democracies overseas and support a free press, getting out its message is critical.   But that is enormously difficult, given widespread hostility in the Muslim world over the war in Iraq, deep suspicion of American ambitions and the influence of antagonistic voices.   The American message makers who are wary of identifying their role can cite findings by the Pentagon, pollsters and others underscoring the United States' fundamental problems of credibility abroad.

Defenders of influence campaigns argue that they are appropriate.   "Psychological operations are an essential part of warfare, more so in the electronic age than ever," said Lt. Col. Charles A. Krohn, a retired Army spokesman and journalism professor.   "If you're going to invade a country and eject its government and occupy its territory, you ought to tell people who live there why you've done it.   That requires a well-thought-out communications program."

But covert information battles may backfire, others warn, or prove ineffective.   The news that the American military was buying influence was met mostly with shrugs in Baghdad, where readers tend to be skeptical about the media.   An Iraqi daily newspaper, Azzaman, complained in an editorial that the propaganda campaign was an American effort "to humiliate the independent national press."   Many Iraqis say that no amount of money spent on trying to mold public opinion is likely to have much impact, given the harsh conditions under the American military occupation.

While the United States does not ban the distribution of government propaganda overseas, as it does domestically, the Government Accountability Office said in a recent report that lack of attribution could undermine the credibility of news videos.   In finding that video news releases by the Bush administration that appeared on American television were improper, the G.A.O. said that such articles "are no longer purely factual" because "the essential fact of attribution is missing."

In an article titled "War of the Words," Defense Secretary Donald H. Rumsfeld wrote about the importance of disclosure in America's communications in The Wall Street Journal in July.   "The American system of openness works," he wrote.   The United States must find "new and better ways to communicate America's mission abroad," including "a healthy culture of communication and transparency between government and public."

A group of Aghans listened to iPod-like devices, made by Zvox.

They were paid for by the United States and contain civic messages consistent with American interests.

Photo: Zvox Internationa
A group of Aghans listened to iPod-like devices, made by Zvox.
They were paid for by the United States and contain civic messages consistent with American interests.





Trying to Make a Case

After the Sept. 11 attacks forced many Americans to recognize the nation's precarious standing in the Arab world, the Bush administration decided to act to improve the country's image and promote its values.

"We've got to do a better job of making our case," President Bush told reporters after the attacks.

Much of the government's information machinery, including the United States Information Agency and some C.I.A. programs, was dismantled after the cold war.   In that struggle with the Soviet Union, the information warriors benefited from the perception that the United States was backing victims of tyrannical rule.   Many Muslims today view Washington as too close to what they characterize as authoritarian regimes in Saudi Arabia, Egypt and elsewhere.

The White House turned to John Rendon, who runs a Washington communications company, to help influence foreign audiences.   Before the war in Afghanistan, he helped set up centers in Washington, London and Pakistan so the American government could respond rapidly in the foreign media to Taliban claims.   "We were clueless," said Mary Matalin, then the communications aide to Vice President Dick Cheney.

Mr. Rendon's business, the Rendon Group, had a history of government work in trouble spots, In the 1990's, the C.I.A. hired him to secretly help the nascent Iraqi National Congress wage a public relations campaign against Saddam Hussein.

While advising the White House, Mr. Rendon also signed on with the Joint Chiefs of Staff, under a $27.6 million contract, to conduct focus groups around the world and media analysis of outlets like Al Jazeera, the satellite network based in Qatar.

About the same time, the White House recruited Jeffrey B. Jones, a former Army colonel who ran the Fort Bragg psychological operations group, to coordinate the new information war.   He led a secret committee, the existence of which has not been previously reported, that dealt with everything from public diplomacy, which includes education, aid and exchange programs, to covert information operations.

The group even examined the president's words.   Concerned about alienating Muslims overseas, panel members said, they tried unsuccessfully to stop Mr. Bush from ending speeches with the refrain "God bless America."

The panel, later named the Counter Terrorism Information Strategy Policy Coordinating Committee, included members from the State Department, the Pentagon and the intelligence agencies.   Mr. Rendon advised a subgroup on counterpropaganda issues.

Mr. Jones's endeavor stalled within months, though, because of furor over a Pentagon initiative.   In February 2002, unnamed officials told The New York Times that a new Pentagon operation called the Office of Strategic Influence planned "to provide news items, possibly even false ones, to foreign news organizations."   Though the report was denied and a subsequent Pentagon review found no evidence of plans to use disinformation, Mr. Rumsfeld shut down the office within days.

The incident weakened Mr. Jones's effort to develop a sweeping strategy to win over the Muslim world.   The White House grew skittish, some agencies dropped out, and panel members soon were distracted by the war in Iraq, said Mr. Jones, who left his post this year.   The White House did not respond to a request to discuss the committee's work.

What had begun as an ambitious effort to bolster America's image largely devolved into a secret propaganda war to counter the insurgencies in Iraq and Afghanistan.   The Pentagon, which had money to spend and leaders committed to the cause, took the lead.   In late 2002 Mr. Rumsfeld told reporters he gave the press a "corpse" by closing the Office of Strategic Influence, but he intended to "keep doing every single thing that needs to be done."

The Pentagon increased spending on its psychological and influence operations and for the first time outsourced work to contractors.   One beneficiary has been the Rendon Group, which won additional multimillion-dollar Pentagon contracts for media analysis and a media operations center in Baghdad, including "damage control planning."   The new Lincoln Group was another winner.

Pentagon Contracts

It is something of a mystery how Lincoln came to land more than $25 million in Pentagon contracts in a war zone.

The two men who ran the small business had no background in public relations or the media, according to associates and a résumé.   Before coming to Washington and setting up Lincoln in 2004, Christian Bailey, born in Britain and now 30, had worked briefly in California and New York.   Paige Craig, now 31, was a former Marine intelligence officer.

When the company was incorporated last year, using the name Iraqex, its stated purpose was to provide support services for business development, trade and investment in Iraq.   The company's earliest ventures there included providing security to the military and renovating buildings.   Iraqex also started a short-lived online business publication.

In mid-2004, the company formed a partnership with the Rendon Group and later won a $5 million Pentagon contract for an advertising and public relations campaign to "accurately inform the Iraqi people of the Coalition's goals and gain their support."   Soon, the company changed its name to Lincoln Group.   It is not clear how the partnership was formed; Rendon dropped out weeks after the contract was awarded.

Within a few months, Lincoln shifted to information operations and psychological operations, two former employees said.   The company was awarded three new Pentagon contracts, worth tens of millions of dollars, they added.   A Lincoln spokeswoman referred a reporter's inquiry about the contracts to Pentagon officials.

The company's work was part of an effort to counter disinformation in the Iraqi press.   With nearly $100 million in United States aid, the Iraqi media has sharply expanded since the fall of Mr. Hussein.   There are about 200 Iraqi-owned newspapers and 15 to 17 Iraqi-owned television stations.   Many, though, are affiliated with political parties, and are fiercely partisan, with fixed pro- or anti-American stances, and some publish rumors, half-truths and outright lies.

From quarters at Camp Victory, the American base, the Lincoln Group works to get out the military's message.

Lincoln's employees work virtually side by side with soldiers.   Army officers supervise Lincoln's work and demand to see details of article placements and costs, said one of the former employees, speaking on condition of anonymity because Lincoln's Pentagon contract prohibits workers from discussing their activities.

"Almost nothing we did did not have the command's approval," he said.

The employees would take news dispatches, called storyboards, written by the troops, translate them into Arabic and distribute them to newspapers.   Lincoln hired former Arab journalists and paid advertising agencies to place the material.

Typically, Lincoln paid newspapers from $40 to $2,000 to run the articles as news articles or advertisements, documents provided to The New York Times by a former employee show.   More than 1,000 articles appeared in 12 to 15 Iraqi and Arab newspapers, according to Pentagon documents.   The publications did not disclose that the articles were generated by the military.

A company worker also often visited the Baghdad convention center, where the Iraqi press corps hung out, to recruit journalists who would write and place opinion pieces, paying them $400 to $500 as a monthly stipend, the employees said.

Like the dispatches produced at Fort Bragg, those storyboards were one-sided and upbeat.   Each had a target audience, "Iraq General" or "Shi'ia," for example; an underlying theme like "Anti-intimidation" or "Success and Legitimacy of the ISF;" and a target newspaper.

Articles written by the soldiers at Camp Victory often assumed the voice of Iraqis.   "We, all Iraqis, are the government.   It is our country," noted one article.   Another said, "The time has come for the ordinary Iraqi, you, me, our neighbors, family and friends to come together."

While some were plodding accounts filled with military jargon and bureaucratese, others favored the language of tabloids: "blood-thirsty apostates," "crawled on their bellies like dogs in the mud," "dim-witted fanatics," and "terror kingpin."

A former Lincoln employee said the ploy of making the articles appear to be written by Iraqis by removing any American fingerprints was not very effective.   "Many Iraqis know it's from Americans," he said.

The military has sought to expand its media influence efforts beyond Iraq to neighboring states, including Saudi Arabia, Syria and Jordan, Pentagon documents say.   Lincoln submitted a plan that was subsequently rejected, a Pentagon spokesman said.   The company proposed placing editorials in magazines, newspapers and Web sites.   In Iraq, the company posted editorials on a Web site, but military commanders stopped the operation for fear that the site's global accessibility might violate the federal ban on distributing propaganda to American audiences, according to Pentagon documents and a former Lincoln employee.

In its rejected plan, the company looked to American popular culture for ways to influence new audiences.   Lincoln proposed variations of the satirical paper "The Onion," and an underground paper to be called "The Voice," documents show.   And it planned comedies modeled after "Cheers" and the Three Stooges, with the trio as bumbling wannabe terrorists.

Afghan readers have a selection of newspapers from Peace that are produced by the American military and are affiliated with a radio station.

Photo: Doug Mills/The New York Times
Afghan readers have a selection of newspapers from Peace that are produced by the American military and are affiliated with a radio station.

The Afghan Front

The Pentagon's media effort in Afghanistan began soon after the ouster of the Taliban.   In what had been a barren media environment, 350 magazines and newspapers and 68 television and radio stations now operate.   Most are independent; the rest are run by the government.   The United States has provided money to support the media, as well as training for journalists and government spokesmen.

But much of the American role remains hidden from local readers and audiences.

The Pentagon, for example, took over the Taliban's radio station, renamed it Peace radio and began powerful shortwave broadcasts in local dialects, defense officials said.   Its programs include music as well as 9 daily news scripts and 16 daily public service messages, according to Col. James Yonts, a United States military spokesman in Afghanistan.   Its news accounts, which sometimes are attributed to the International Information Center, often put a positive spin on events or serve government needs.

The United States Army publishes a sister paper in Afghanistan, also called Peace.   An examination of issues from last spring found no bad news.

"We have no requirements to adhere to journalistic principles of objectivity," Colonel Summe, the Army psychological operations specialist, said.   "We tell the U.S. side of the story to approved targeted audiences" using truthful information.   Neither the radio station nor the paper discloses its ties to the American military.

Similarly, AID does not locally disclose that dozens of Afghanistan radio stations get its support, through grants to a London-based nonprofit group, Internews.   (AID discloses its support in public documents in Washington, most of which can be found globally on the Internet.)

The AID representative in Afghanistan, in an e-mail message relayed by Peggy O'Ban, an agency spokeswoman, explained the nondisclosure: "We want to maintain the perception (if not the reality) that these radio stations are in fact fully independent."

Recipients are required to adhere to standards.   If a news organization produced "a daily drumbeat of criticism of the American military, it would become an issue," said James Kunder, an AID assistant administrator.   He added that in combat zones, the issue of disclosure was a balancing act between security and assuring credibility.

The American role is also not revealed by another recipient of AID grants, Voice for Humanity, a nonprofit organization in Lexington, Ky.   It supplied tens of thousands of audio devices in Iraq and Afghanistan with messages intended to encourage people to vote.   Rick Ifland, the group's director, said the messages were part of the "positive developments in democracy, freedom and human rights in the Middle East."

It is not clear how effective the messages were or what recipients did with the iPod-like devices, pink for women and silver for men, which could not be altered to play music or other recordings.

To show off the new media in Afghanistan, AID officials invited Ms. Matalin, the former Cheney aide and conservative commentator, and the talk show host Rush Limbaugh to visit in February.   Mr. Limbaugh told his listeners that students at a journalism school asked him "some of the best questions about journalism and about America that I've ever been asked."

One of the first queries, Mr. Limbaugh said, was "How do you balance justice and truth and objectivity?"

His reply: report the truth, don't hide any opinions or "interest in the outcome of events."   Tell "people who you are," he said, and "they'll respect your credibility."



Copyright 2003 The New York Times Company














December 10 / 11, 2005
How the CIA Paid for Judy Miller's Stories
All the News That's Fit to Buy
By ALEXANDER COCKBURN
The Bush era has brought a robust simplicity to the business of news management: where possible, buy journalists to turn out favorable stories and, as far as hostiles are concerned, if you think you can get away with it, shoot them or blow them up.

As with much else in the Bush era, the novelty lies in the openness with which these strategies have been conducted.   Regarding the strategies themselves, there's nothing fundamentally new, both in terms of paid coverage, and murder, as the killing in 1948 of CBS reporter George Polk suggests.   Polk, found floating in the Bay of Salonika after being shot in the head, had become a serious inconvenience to a prime concern of US covert operations at the time, namely the onslaught on Communists in Greece.

Today we have the comical saga of the Pentagon turning to a Washington DC-based subcontractor, the Lincoln Group, to write and translate for distribution to Iraqi news outlets booster stories about the US military's successes in Iraq.   I bet the Iraqi newspaper reading public was stunned to learn the truth at last.

More or less simultaneously comes news of Bush's plan, mooted to Tony Blair in April of 2004, to bomb the hq of Al Jazeera in Qatar.   Blair argued against the plan, not, it seems, on moral grounds but because the assault might prompt revenge attacks.

Earlier assaults on Al Jazeera came in the form of a 2001 strike on the channel's office in Kabul.   In November, 2002 the US Air Force had another crack at the target and this time managed to blow it up.   The US military claimed that they didn't know the target was an Al Jazeera office, merely "a terrorist site".

In April 2003 a US fighter plane targeted and killed Tariq Ayub, an Al Jazeera reporter on the roof of Al Jazeera's Baghdad office.   The Arab network had earlier attempted to head off any "accidental" attack by giving the Pentagon the precise location of its Baghdad premises.   That same day in Iraq US forces killed two other journalists, from Reuter's and a Spanish tv station, and bombed an office of Abu Dhabi tv.

On the business of paid placement of stories in the Iraqi press there's been some pompous huffing and puffing in the US among the opinion-forming classes about the dangers of "poisoning the well" and the paramount importance of instilling in the Iraqi mind respect for the glorious traditions of unbiased, unbought journalism as practised in the US Homeland.   Christopher Hitchens, tranquil in the face of torture, indiscriminate bombing and kindred atrocities, yelped that the US instigators of this "all-the-news-that's fit-to-buy" strategy should be fired.

Actually, it's an encouraging sign of the resourcefulness of those Iraqi editors that they managed to get paid to print the Pentagon's handouts.   Here in the Homeland, editors pride themselves in performing the same service, without remuneration.

Did the White House slip Judy Miller money under the table to hype Saddam's weapons of mass destruction? I'm quite sure it didn't and the only money Miller took was her regular Times paycheck.

But this doesn't mean that We The Taxpayers weren't ultimately footing the bill for Miller's propaganda.   We were, since Miller's stories mostly came from the defectors proffered her by Ahmad Chalabi's group, the Iraqi National Congress, which even as late as the spring of 2004 was getting $350,000 a month from the CIA, said payments made in part for the INC to produce "intelligence" from inside Iraq.

It also doesn't mean that when she was pouring her nonsense into the NYT's news columns Judy Miller (or her editors) didn't know that the INC's defectors were linked to the CIA by a money trail.   This same trail was laid out in considerable detail in Out of the Ashes, written by my brothers, Andrew and Patrick Cockburn, and published in 1999.

In this fine book, closely studied (and frequently pillaged without acknowledgement) by journalists covering Iraq the authors described how Chalabi's group was funded by the CIA, with huge amounts of money ­­ $23 million in the first year alone ­— invested in an anti-Saddam propaganda campaign, subcontracted by the Agency to John Rendon, a Washington pr operator with good CIA connexions.

Almost from its founding in 1947, the CIA had journalists on its payroll, a fact acknowledged in ringing tones by the Agency in its announcement in 1976 when G.H.W. Bush took over from William Colby that "Effective immediately, the CIA will not enter into any paid or contract relationship with any full-time or part-time news correspondent accredited by any US news service, newspaper, periodical, radio or television network or station."

Though the announcement also stressed that the text the CIA would continue to "welcome" the voluntary, unpaid cooperation of journalists, there's no reason to believe that the Agency actually stopped covert payoffs to the Fourth Estate.

Its practices in this regard before 1976 have been documented to a certain degree.   In 1977 Carl Bernstein attacked the subject in Rolling Stone, concluding that more than 400 journalists had maintained some sort of alliance with the Agency between 1956 and 1972.

In 1997 the son of a well known CIA senior man in the Agency's earlier years said emphatically, though off the record, to a CounterPuncher that "of course" the powerful and malevolent columnist Joseph Alsop "was on the payroll".

Press manipulation was always a paramount concern of the CIA, as with the Pentagon.   In his Secret History of the CIA, published in 2001, Joe Trento described how in 1948 CIA man Frank Wisner was appointed director of the Office of Special Projects, soon renamed the Office of Policy Coordination (OPC).   This became the espionage and counter-intelligence branch of the Central Intelligence Agency, the very first in its list of designated functions was "propaganda".

Later that year Wisner set an operation codenamed "Mockingbird", to influence the domestic American press.   He recruited Philip Graham of the Washington Post to run the project within the industry.

Trento writes that
"One of the most important journalists under the control of Operation Mockingbird was Joseph Alsop, whose articles appeared in over 300 different newspapers."   Other journalists willing to promote the views of the CIA, included Stewart Alsop (New York Herald Tribune), Ben Bradlee (Newsweek), James Reston (New York Times), Charles Douglas Jackson (Time Magazine), Walter Pincus (Washington Post), William C. Baggs (Miami News), Herb Gold (Miami News) and Charles Bartlett (Chattanooga Times).

By 1953 Operation Mockingbird had a major influence over 25 newspapers and wire agencies, including the New York Times, Time, CBS, Time.   Wisner's operations were funded by siphoning of funds intended for the Marshall Plan.   Some of this money was used to bribe journalists and publishers."
In his book Mockingbird: The Subversion Of The Free Press By The CIA, Alex Constantine writes that in the 1950s, "some 3,000 salaried and contract CIA employees were eventually engaged in propaganda efforts".

Senate Armed Services Chairman John Warner said recently, apropos the stories put into the Iraqi press by the Lincoln Group, that it wasn't clear whether traditionally-accepted journalistic practices were violated.   Warner can relax.   The Pentagon, and the Lincoln Group, were working in a rich tradition, and their only mistake was to get caught.
















Harold Pinter's Great Speech and
                    How the CIA May Have Silenced Paul Robeson



Harold Pinter is by no means the first eloquent enemy of the American Empire to have got the Nobel Prize for literature.   In 1967 for example, when revulsion was rising across the world at the U.S. ­inflicted bloodbath in Vietnam, the committee picked the Guatemalan writer, Miguel Asturias, whose work was notable for its savage depictions of the US-backed destruction of democracy in Guetemala in 1954, at the instigation of the United Fruit Company.   (Asked for its reaction to Asturias' selection, United Fruit's high command said stiffly that it had never heard of Asturias and would have no comment.)

I can't find the text of Asturias' acceptance speech, but I would guess that it didn't rival the intensity and fury of Pinter's depictions of the ravages of the American Empire since 1945.   It was as though the works of Noam Chomsky had been compacted into one searing rhetorical lightening bolt.   It will go into the history books, alongside such imperishable excoriations of empire as the speeches Thucidides put into the mouths of the Melians, and Tacitus into the mouth of Calgacus.

Here some of Pinter's most savage paragraphs (the full speech here):
But my contention here is that the US crimes in the [postwar] period have only been superficially recorded, let alone documented, let alone acknowledged, let alone recognised as crimes at all.   I believe this must be addressed and that the truth has considerable bearing on where the world stands now.   Although constrained, to a certain extent, by the existence of the Soviet Union, the United States' actions throughout the world made it clear that it had concluded it had carte blanche to do what it liked.

Direct invasion of a sovereign state has never in fact been America's favoured method.   In the main, it has preferred what it has described as 'low intensity conflict'.   Low intensity conflict means that thousands of people die but slower than if you dropped a bomb on them in one fell swoop.

It means that you infect the heart of the country, that you establish a malignant growth and watch the gangrene bloom.   When the populace has been subdued — or beaten to death — the same thing — and your own friends, the military and the great corporations, sit comfortably in power, you go before the camera and say that democracy has prevailed.   This was a commonplace in US foreign policy in the years to which I refer.

The United States supported and in many cases engendered every right wing military dictatorship in the world after the end of the Second World War.   I refer to Indonesia, Greece, Uruguay, Brazil, Paraguay, Haiti, Turkey, the Philippines, Guatemala, El Salvador, and, of course, Chile.   The horror the United States inflicted upon Chile in 1973 can never be purged and can never be forgiven.

Hundreds of thousands of deaths took place throughout these countries.   Did they take place? And are they in all cases attributable to US foreign policy? The answer is yes they did take place and they are attributable to American foreign policy.   But you wouldn't know it.

It never happened.   Nothing ever happened.   Even while it was happening it wasn't happening.   It didn't matter.   It was of no interest.   The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them.   You have to hand it to America.   It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good.   It's a brilliant, even witty, highly successful act of hypnosis.

I put to you that the United States is without doubt the greatest show on the road.   Brutal, indifferent, scornful and ruthless it may be but it is also very clever.   As a salesman it is out on its own and its most saleable commodity is self love.   It's a winner.   Listen to all American presidents on television say the words, 'the American people', as in the sentence, 'I say to the American people it is time to pray and to defend the rights of the American people and I ask the American people to trust their president in the action he is about to take on behalf of the American people.'

It's a scintillating stratagem.   Language is actually employed to keep thought at bay.   The words 'the American people' provide a truly voluptuous cushion of reassurance.   You don't need to think.   Just lie back on the cushion.   The cushion may be suffocating your intelligence and your critical faculties but it's very comfortable.   This does not apply of course to the 40 million people living below the poverty line and the 2 million men and women imprisoned in the vast gulag of prisons, which extends across the US.

The United States no longer bothers about low intensity conflict.   It no longer sees any point in being reticent or even devious.   It puts its cards on the table without fear or favour.   It quite simply doesn't give a damn about the United Nations, international law or critical dissent, which it regards as impotent and irrelevant.   It also has its own bleating little lamb tagging behind it on a lead, the pathetic and supine Great Britain.
Pinter's delivery

Pinter recorded the speech sitting in a wheel chair.   He's just fought off an onslaught cancer of the esophagus and was suffering new pains in his legs.   Michael Billlington, the drama critic of The Guardian, gave a good account of Pinter's delivery.
Pinter deployed a variety of tactics: the charged pause, the tug at the glasses, the unremitting stare at the camera.   I am told by Michael Kustow, who co-produced the lecture, that after a time he stopped giving Pinter any instructions.   He simply allowed him to rely on his actor's instinct for knowing how to reinforce a line or heighten suspense.

Although the content of the speech was highly political, especially in its clinical dissection of post-war US foreign policy, it relied on Pinter's theatrical sense, in particular his ability to use irony, rhetoric and humour, to make its point.   This was the speech of a man who knows what he wants to say but who also realises that the message is more effective if rabbinical fervour is combined with oratorical panache.   At one point, for instance, Pinter argued that "the United States supported and in many cases engendered every rightwing military dictatorship in the world after the end of the second world war".   He then proceeded to reel off examples.   But the clincher came when Pinter, with deadpan irony, said: "It never happened.   Nothing ever happened.   Even while it was happening, it wasn't happening.   It didn't matter.   It was of no interest."   In a few sharp sentences, Pinter pinned down the willed indifference of the media to publicly recorded events.   He also showed how language is devalued by the constant appeal of US presidents to "the American people".   This was argument by devastating example.   As Pinter repeated the lulling mantra, he proved his point that "The words "the American people" provide a truly voluptuous cushion of reassurance."   Thus Pinter brilliantly used a rhetorical device to demolish political rhetoric.

But it was the black humour of the speech I liked best.   At one point, Pinter offered himself as a speechwriter to President Bush — an offer unlikely, on this basis of this speech, to be quickly accepted.   And Pinter proceeded to give us a parody of the Bush antithetical technique in which the good guys and the bad guys are thrown into stark contrast: "My God is good.   Bin Laden's God is bad.   His is a bad God.   Saddam's God was bad except he didn't have one.   He was a barbarian.   We are not barbarians."   Pinter's poker face as he delivered this only reinforced its satirical power.

One columnist predicted, before the event, that we were due for a Pinter rant.   But this was not a rant in the sense of a bombastic declaration.   This was a man delivering an attack on American foreign policy, and Britain's subscription to it, with a controlled anger and a deadly irony.   And, paradoxically, it reminded us why Pinter is such a formidable dramatist.   He used every weapon in his theatrical technique to reinforce his message.   And, by the end, it was as if Pinter himself had been physically recharged by the moral duty to express his innermost feelings.
















Paul Robeson

I remarked after reading Pinter's text that it's a sign of the debility of the American Empire that its agents didn't manage to kill off his nomination, or — having failed at that — to kill Pinter before he was able to record his remarks.   Hyperbole, but only up to a point.

Consider the CIA's probable poisoning, at a fraught political moment, of Paul Robeson, the black actor, singer, and political radical.   As Jeffrey St Clair and I wrote a few years ago in our book Serpents in the Garden, in the spring of 1961, Robeson planned to visit Havana, Cuba to meet with Fidel Castro and Che Guevara.   The trip never came off because Robeson fell ill in Moscow, where he had gone to give several lectures and concerts.   At the time, it was reported that Robeson had suffered a heart attack.   But in fact Robeson had slashed his wrists in a suicide attempt after suffering hallucinations and severe depression.   The symptoms came on following a surprise party thrown for him at his Moscow hotel.

Robeson's son, Paul Robeson, Jr., investigated his father's illness for more than 30 years.   He believes that his father was slipped a synthetic hallucinogen called BZ by U.S. intelligence operatives at the party in Moscow.   The party was hosted by anti-Soviet dissidents funded by the CIA.

Robeson Jr. visited his father in the hospital the day after the suicide attempt.   Robeson told his son that he felt extreme paranoia and thought that the walls of the room were moving.   He said he had locked himself in his bedroom and was overcome by a powerful sense of emptiness and depression before he tried to take his own life.

Robeson left Moscow for London, where he was admitted to Priory Hospital.   There he was turned over to psychiatrists who forced him to endure 54 electro-shock treatments.   At the time, electro-shock, in combination with psycho-active drugs, was a favored technique of CIA behavior modification.   It turned out that the doctors treating Robeson in London and, later, in New York were CIA contractors.   The timing of Robeson's trip to Cuba was certainly a crucial factor.   Three weeks after the Moscow party, the CIA launched its disastrous invasion of Cuba at the Bay of Pigs.   It's impossible to underestimate Robeson's threat, as he was perceived by the U.S. government as the most famous black radical in the world.   Through the 1950s Robeson commanded worldwide attention and esteem.   He was the Nelson Mandela and Mohammed Ali of his time.   He spoke more than twenty languages, including Russian, Chinese, and several African languages.   Robeson was also on close terms with Nehru, Jomo Kenyatta, and other Third World leaders.   His embrace of Castro in Havana would have seriously undermined U.S. efforts to overthrow the new Cuban government.

Another pressing concern for the U.S. government at the time was Robeson's announced intentions to return to the United States and assume a leading role in the emerging civil rights movement.   Like the family of Martin Luther King, Robeson had been under official surveillance for decades.   As early as 1935, British intelligence had been looking at Robeson's activities.   In 1943, the Office of Strategic Services, World War II predecessor to the CIA, opened a file on him.   In 1947, Robeson was nearly killed in a car crash.   It later turned out that the left wheel of the car had been monkey-wrenched.   In the 1950s, Robeson was targeted by Senator Joseph McCarthy's anti-communist hearings.   The campaign effectively sabotaged his acting and singing career in the states.

Robeson never recovered from the drugging and the follow-up treatments from CIA-linked doctors and shrinks.   He died in 1977.

















 
 






































































































































































































































































































































































































































































































 
 





 
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